#Straight letter graffiti alphabet how to

#Straight letter graffiti alphabet how to

Some writers actually enjoy those elements in their pieces, but everyone should still know how to use cut-backs. The intention of cut-backs are generally to crisp up lines that may overlap incorrectly or have too much overspray. This element to painting could be filed under the fill technique category as well, but isn’t necessarily exclusive to that as not everyone uses them. Giving your piece more visually stimulating elements. Once you’ve connected these points and filled them in, that’s where you can use some of the techniques that we discussed in the fill section to add more funk and flare to your 3D.It’s almost as if you’re connecting points like a constellation and then filling in the sections that are open. What’s good to remember with straight down (or side or up) 3D, is that at any point, the line will meet the 3D at the exact same point however big the 3D is.If the letter is straight then it will be a straight line across, and if the letter is rounded then they will connect with a rounded shape and so on and so forth. With downward 3D make sure to paint each side of an individual letter’s outline going straight down and connect these two lines however the letter is shaped.This means that you can say your 3D with be one, two, three or however many bricks big, and that way, if you’ve painted the end of your first letter’s 3D being three bricks downward, then all of the following letters will be that size. If you are painting on a brick wall, it’s nice to use the levels of the brick as guidelines where things should start and stop.So make sure you pick an end point and stick to it like glue. If you’re painting 3D downward and you notice the bottom portion of you middle letter is much higher than your first letter, you’ve done it wrong and the viewers will notice it.

This is one of the more simpler ways of painting 3D because all of the lines basically go in one direction and more or less end at the same end-point. Let’s choose going downward for starters.There is nothing more unprofessional or ugly than inconsistent 3D. What all of these things have in common is making sure that wherever you’ve decided to direct your 3D, all of the lines follow each other properly. The 3D isn’t limited to any sort of direction, you can go down word, on an angle, left side, right side or even upwards, which is a seldom used style, but looks really funky.We want to simply extend the the outline to give it the illusion as if the piece has thick and chunky, brick-like letters in it. To paint 3D we try to elaborate on what we already know from our fill and outline portion of the piece.> SHOP: Spray Paint (over 500 colors available!) It’s another brilliant choice in regards to giving depth to your letters very quickly.

The drop shadow tends to be the solid choice for when you’re rocking throw-ups, straight letters, or quick pieces. Then we’ve got the drop shadow, which is like the younger, simpler brother to the 3D but definitely a solid and essential skill to have in your toolkit. You can get your invert on and when you rock a dark colour fill you blast a light colour outline and 3D. Often times we want to shade these in a darker way to give it that depth, much like anything you’d see in design or typography, but it’s not limited to that just like anything else. The beauty of 3D as well is you can add a whole new element of fill tricks and techniques that you’ve used in your letter fill. This takes measly old letter fills to being bigger and more detailed. When adding in 3D you can go up, down, side to side and of course, ground up. 3Ds are an essential element to adding a severe and incredible amount of depth to a piece with the most minimal effort. How the hell can we talk about graffiti add-ons without talking about 3D? This is probably the most important element to graffiti lettering since the dawn of the craft. These elements of piecing are one of the most simplest yet effective ways that many new-jacks seem to neglect and allow their weak style to not progress over the years of painting.īut probably the most important thing of all of this is to talk about 3D. It’s obvious when we paint more sophisticated pieces we’re going to be implementing some funky fresh add-ons for the viewer to use in order to turn some standard issue lettering to a solid wild-style that everyone wants to look at. As more developed graffiti writers like ourselves go through things on what can elevate a piece, we know things like cut-backs, bits, doodads and the most obvious of all – arrows – will help take a piece to the next step. No we’re getting into the funky stuff, baby.